Box pleated kilts made from four yards of cloth, in the style of the late eighteenth and early nineteenth centuries.

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Photographs:

Click on a thumbnail image for a larger picture.  These are some of the kilts I have made for various clients, meant to give you not only examples of my workmanship, but also a sampling of different tartans.  Unless stated otherwise, they are all 4 yard box pleated kilts.  Please scroll down to the bottom for pictures of historic box-pleated kilts from the Scottish Tartans Museum.

The Rose Hunting ancient tartan.

 

Kevin Downs, wearing the Downs tartan, which he designed himself and I had woven for his box pleated kilt.

Regular client David is modeling his weathered Lochaber 5 yard knife pleated kilt.

Turpin Ballard, of Thorfinn Custom Sporrans, showing off his new weathered Gordon box pleated kilt.  The cloth is Lochcarron's 16 oz Strome range.

Kevin sent pictures of his new Clan Cian tartan kilt the day it arrived.  It's a medium weight, 5 yard knife pleated kilt.  He writes, "This thing is a work of art... It fits so amazingly well. Thank you 1,000 times over."

Todd Wilkinson in his Iowa state tartan, photos taken on his ancestral farmstead in Wright County, Iowa.

Mark is proudly displaying his muted Henderson box pleated kilt.

You'll recognize David in a few pictures below.  He's a regular client.  Here he is wearing a heavy weight USMC (Leatherneck) tartan 5-yd knife pleated kilt.

David again, wearing the US Bicentennial tartan (aka US St. Andrews), in a 4-yd box pleated kilt.

The weathered MacGregor tartan, woven by Lochcarron.

A 16 oz Isle of Skye box pleated kilt, being enjoyed on a hike in western North Carolina.

The MacDonald of Glencoe tartan, muted colors, woven by House of Edgar.

MacLaren ancient tartan, woven by Lochcarron.

Brad, from New Mexico, is really enjoying his new weathered Henderson box pleated kilt, heavy weight cloth by Lochcarron of Scotland.

The Ulster tartan, as woven by the House of Edgar.

Glen from Alaska is trying on his Brodie Hunting kilt in the weathered colors.  He writes, "The kilt is absolutely stunning. The tartan looks better than I imagined, and your workmanship is beautiful! The kilt fits great."

This is Harlan Hastings from Albion Swords, showing off his MacDonald weathered box pleated kilt.

Andy sends these pictures of himself in casual dress, showing off his new FitzGibbon tartan kilt, the first to be made from this tartan.  He posted a very thorough review of this kilt on the X Marks the Scot forum.

It is always gratifying to see someone enjoying a kilt I've made for them when out and about at a Scottish festival.  Here is a weathered MacLeod kilt I made for a young lad being worn at the Stone Mountain Highland Games.

Daniel is showing off his ancient Gunn box pleated kilt.  He says the archery pose is in honor of the Clan Gunn's participation at the Battle of Altgowne in 1585, but I think it is very evocative of the MacQuarrie figure painted by Robert MacIan (shown below the main menu at the left), who is also wearing a box pleated kilt).

The James family all wanted kilts in the Grant Hunting tartan (from the Wilson 1819 Pattern Book -- the usual Grant Hunting tartan is the Black Watch).  The left photo shows them all getting ready for the evening.  The skirt and all the kilts except the second from right are of my make.  In the photo to the right, you can see the box pleats of the kilt worn at a formal even, with matching fly plaid.

Dave is modeling the Ulster tartan.  This is one of my standard box pleated kilts.  Dave is a great customer -- he also ordered a...

...five yard knife pleated kilt in the ancient MacFarlane tartan.  This is one of the alternate kilt styles I also make.

Mike is looking good, and enjoying himself in his MacNeil of Bara box pleated kilt.

This Hunting MacPherson kilt was made from a very heavy weight Harris Tweed cloth, hand woven in the Outer Hebrides of Scotland.

Three views of a kilt in the Ulster red tartan.

Brian, the proud owner of the kilt at left!  Brian writes, "I love it! It fits perfectly and the workmanship is excellent. Great job!"

A four-yard, box pleated kilt in the MacQuarrie tartan (1815 variant), worn by the kilt maker.

Front and back views of Chuck, volunteer at the Scottish Tartans Museum, in his brand new Cockburn kilt.

The official Arizona state tartan, which we were happy to have custom woven for our client in -- where else? -- Arizona!

A dress MacLeod (MacLeod of Lewis) box pleated kilt, worn by the first client to purchase a kilt off this web site.  Congrats!

A kilt made from Harris Tweed, being worn by Hamish from West Sussex, England, who is enjoying himself far too much!

Three different views of a weathered Anderson kilt.

 

Jeff is sporting his Fitzsimmons kilt, a tartan he designed and I had woven for him.  Jeff preferred a 5-yard knife pleated kilt to the box pleat, which I was glad to accommodate.

Three different kilts in the same Buchanan tartan.  The one on the left is pleated to the red, the middle one is pleated to the yellow, and the right kilt is pleated to the green.  This demonstrates how you can create very different looking kilts with the same tartan.

The New York City tartan, back and front, pleated to the blue line.  This kilt was originally a four-yard, machine stitched "casual kilt," made by Lochcarron, which I completely rebuilt for my client.

The Robertson Hunting tartan, front and back views.  This kilt only has six wide box pleats in the back, which is exactly like the historic MacDuff kilt shown at the bottom of this page.

This Gordon kilt was made for the client from an old regimental piper's plaid he had purchased.  The earliest tailored kilt we know of was a Gordon regimental kilt from c. 1794, box pleated to the yellow line.

Richard is the owner of the Robertson hunting kilt pictured above.  He writes, " I am
very pleased with this kilt, its quality of construction, fit, comfort, and appearance... In short I am a very satisfied customer."

Back and front of a kilt made in the German National tartan, designed by Doug Ikelman, and woven by Lochcarron of Scotland.

Dee is the proud owner of this Carolina tartan kilt, custom woven in the authentic colors used by Wilsons of Bannockburn in the late eighteenth and early nineteenth centuries.  Dee writes, "I can assure you this kilt will be worn with pride and appreciation – it’s a work of art. My hat is off to you! Now I understand what folks were saying about a custom tailored wool kilt."

James Brewer and son wearing their new kilts in the Brewer family tartan.  This is a new tartan, commissioned by James and designed by the kilt maker.  It is based on a Drummond sett, as James' Brewer ancestors, from Perthshire, were part of the Drummond clan.

The Clergy tartan, in standard (modern) colors from Lochcarron of Scotland.  You can read an article on the history of the clergy tartan by clicking here.

Another 5-yd knife pleated kilt in the Fitzsimmons tartan. This one is made from 13 oz, medium weight cloth.

Two of my kilts being worn at the Loch Hartwell (GA) Scottish Games.  The one on the left is the Moncrieff tartan.  The one on the right is the ancient Campbell.  Both are 4-yd box pleated kilts.

 

The nineteenth century artist Robert MacIan illustrated many figures in the 1840s for James Logan's work, The Clans of the Scottish Highlands.  Many of these show box pleated kilts.  This detail is from his illustration for the MacQuarrie (as seen in our left hand menu bar).

 

Two kilts from the collection of the Scottish Tartans Museum.  The one on the left is in the MacDuff tartan.  It contains four yards of cloth and is made with only six very wide box pleats.  It dates to the late 1790's or early 1800s.  The one on the right is in the Locheil tartan (later called Munro).  It is just seven inches shy of four yards.  It is also box pleated, and dates to 1800-1820.  Both are civilian kilts.  Neither is pleated to any pattern.

 

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